Posted by Udi Tirosh on 20th Dec 2016
THE BEST INTERVIEW CAMERA RIG EVER FOR US
DIYP has seen its share of interviews, aside our regular work we’ve
been to over 10 shows including the latest Photokina. We need a camera rig
that is robust, easy to carry around, and that adapts to various
conditions. This rig has gone through many changes over the years, this
is what it is now.
Funny fact, on the latest photokina, we went
to see the Black magic booth. They featured supermodel Jen Brook, so we
went to say hi, and put the rig almost hidden to the side.
Interestingly, that rig got more attention that all the Ursa’s and
BMCC’s on the booth.
Obviously, this is the sony a7sii kit
that works for us. IT has been on many shows and may events with us and
we love it to pieces. That said, our needs change, our budget changes,
the environment changes, and so does the a7sii rig. It grows and
shrinks as we learn more, or have different needs. If you have a similar
setup, I would love to learn about it, hit us in the comments.
CAMERA
At
the core of the system we are using a Sony A7II + 24-70 f/4 lens for
video. These are probably not the best in class options for video, but
when you look at value for money it’s a great combo. It gives both a
good medium shot and can also be used for product shots and B-Roll.
There
are two accessories that we use when we are at shows to complement the
camera. They are optional, if we run & gun, but for long interview
days they became an indispensable part of the kit:
A tether tools
case relay, which provides power via USB banks (you can see more about
it here). It the core of it, it allows us to use cheap and big USB power
banks instead of small and expensive Sony batteries.
A SmallRig A7II cage
– We use the camera cage for two reasons. The obvious one is to protect
the camera. During shows it is not rare that your camera gets bumped.
Actually, it’s kinda common. The camera cage protects the camera. The
other things is that we use the camera cage to mount all our external
gear like receivers, occasional lights, and an occasional external
monitor (or a DSLR Dashboard fitted nexus).
AUDIO
We
use the Tascam D70 as our main hub for recording. It sports a 3.5mm
stereo jack, and 4 double duty 5mm/XLR ports. There is an ear-set
connected to the tascam so the photographer can monitor the sound
continuously. It fits in a rather unconventional way under the camera
rather than on top of it. This would change the way the camera tilts a
bit, but since most of our interviews are shot with a fixed camera, it
does not really matter. We have experienced with side mounting it to the
camera cage, and if that ever becomes a need, we can do that too.
For
microphones we use three out of the four channels on the Tascam.
Channels 1+2 get the input from a Rodemic filmakers kit. That is
something that does not change through the day. Its great to pick my
voice up when we have a short interview. I’ll also be wearing the
transmitter and lav throughout the day in case I want to talk to the
camera briefly. On the tascam we set the right a a higher gain than the
left channel so we have backup.
If we are doing a long sit-down
interview, I’ll hand the microphone to the other person and my voice
will be picked up via an interview mic.
The other microphone we
use (on channel 3), is a Rode reporter mic. It replaced our previous
Audio Technica MB 4K because we got slightly better results and did not
have to worry about replacing a battery. Right now, we use the mic with a
5 meters XLR cable, but this will change starting with the next show as
we will start using the wireless Rode Newsshooter Kit.
Lastly, there is the in-camera recording which may be used for sync.
TRIPOD
For
tripod we use a Manfrotto MT055XPRO3 along with an 804RC2 3-way head.
It’s a good sturdy tripod. That said it is likely to change. We need
better leveling control and to drop some weight. The tripod is 2.5 kilo
and is rated for way more weight that we need when traveling.
So,
there you have it. The full camera kit. We are quite happy with it for
now, the only thing that is bothering is the amount of weight on this
dslr rig. As I said, I’ll be looking for a lighter tripod, but also to
replace some of the other gear.